FUTURE FAIR

2020 I FUTURE FAIR
May 6 - June 6

ONLINE VIEWING ROOM

View available works on Artsy

Caroline Monnet

Caroline Monnet, Longing for trust n.2, 2020, Acrylic and wood, 47”

Caroline Monnet, Nexus, 2020, Embossing on handmade St-Armand paper, 40” x 40”, Edition of 5

Caroline Monnet, R-value, 2020, Mineral wool and plexiglass, 36” x 24 1/2” x 8”

Caroline Monnet, Radiant System n.4, 2020, Embroidery on thermal bubble sheet, 26 1/4” x 26 1/4” x 1 1/2”

Caroline Monnet, Vade Mecum, 2020, Embossed printing on Arches paper, 40” x 40”, Edition of 5

Caroline Monnet, Radiant System n.5, 2020, Embroidery on thermal bubble sheet, 26 1/4” x 26 1/4” x 1 1/2”

Personne RessourceMay 7, 2020Caroline Monnet, 2020

NADA Miami

2019 I NADA MIAMI
Dec 5 - 8

ICE PALACE STUDIOS
1400 North Miami Avenue
Miami, FL 33136

Booth 12.01
Mike Bayne, Tammi Campbell, Ed Fornieles, Greg Ito, Caroline Monnet, Megan Rooney, Chloe Wise

Mike Bayne, Change

Mike Bayne, Change, 2019, Oil on wood panel, 7″ x 5″

Mike Bayne, Echlin Insurance

Mike Bayne, Echlin Insurance, 2019, Oil on wood panel, 16″ x 24″

Ed Fornieles, Fintlex (Netfix)

Ed Fornieles, Fintlex (Netfix), 2018, Fiberglass, polystyrene foam, 26″ x 19″ x 15 ½″

Ed Fornieles, Mother II,

Ed Fornieles, Mother II, 2018, Fibreglass sculpture, aluminum extrusion stand, 78 ⅝″ x 59″ x 63″

Ed Fornieles, Siva-leet (Televisa)

Ed Fornieles, Siva-leet (Televisa), 2018, Fiberglass, polystyrene foam, 26″ x 19″ x 13″

Ed Fornieles, Studio Certificate EF001

Ed Fornieles, Studio Certificate EF001, 2018, Ed. 21/70, Digital print, screen print, debossing, holographic foil, scratch panel, anti x-ray back, 12 ⅛″ x 16 ⅛″

Ed Fornieles, Studio Certificate EF002

Ed Fornieles, Studio Certificate EF002, 2018, Ed. 13/70, Digital print, screen print, debossing, holographic foil, scratch panel, anti x-ray back, 13 ⅛″ x 16 ⅛″

Ed Fornieles, Studio Certificate EF003

Ed Fornieles, Studio Certificate EF003, 2018, Ed. 44/70, Digital print, screen print, debossing, holographic foil, scratch panel, anti x-ray back, 14 ⅛″ x 16 ⅛″

Ed Fornieles, Athens Biennale Project Certificate EF004

Ed Fornieles, Athens Biennale Project Certificate EF004, 2018, Ed. 20/70, Digital print, screen print, debossing, holographic foil, scratch panel, anti x-ray back, 16 ⅛″ x 12 ⅛″

Ed Fornieles, Athens Biennale Project Certificate EF005

Ed Fornieles, Athens Biennale Project Certificate EF005, 2018, Ed. 40/70, Digital print, screen print, debossing, holographic foil, scratch panel, anti x-ray back, 16 ⅛″ x 12 ⅛″

Ed Fornieles, Tulip Fever

Ed Fornieles, Tulip Fever, 2017, Ed. 3/5, HD Video, 19 minutes,

Greg Ito, So Close Yet So Far (nocturne)

Greg Ito, So Close Yet So Far (nocturne), 2018, Acrylic on canvas, 35″ x 25″

Greg Ito, So Close Yet So Far (twilight)

Greg Ito, So Close Yet So Far (twilight), 2018, Acrylic on canvas, 35″ x 25″

Greg Ito, Wild Flower

Greg Ito, Wild Flower, 2018, Wood, acrylic, UV protective varnish, rubber, and neon, 80″ x 21″ x 21″

Greg Ito, After Hours

Greg Ito, After Hours, 2018, Wood, acrylic, UV protective varnish, rubber, and neon, 80″ x 21″ x 21″

Greg Ito, A Place for Reflection

Greg Ito, A Place for Reflection, 2019, Acrylic on canvas, 28″

Greg Ito, Gateway

Greg Ito, Gateway, 2018, Acrylic on canvas, 27″ x 22″

Greg Ito, Winding Road

Greg Ito, Winding Road, 2019, Acrylic on canvas, 28″

Caroline Monnet, Insular 03

Caroline Monnet, Insular 03, 2018, Engraving on styrofoam and plexiglass, 27 ½″ x 27 ½″ x 3 ½″

Megan Rooney, Flowing in silk flowers bought for someone else

Megan Rooney, Flowing in silk flowers bought for someone else, 2019, Pencil, ink, pastel & acrylic paint on magazine pages, 24 ½″ x 31 ½″

Megan Rooney, Out in it (Teeth & Lightning series)

Megan Rooney, Out in it (Teeth & Lightning series), 2019, Oil, acrylic and pastel on canvas, 78 ⅝″ x 59″

Megan Rooney, Putting your life in order before going on holiday

Megan Rooney, Putting your life in order before going on holiday, 2016, Pencil, ink, pastel & acrylic paint on magazine pages, 23 ½″ x 31 ½″

Chloe Wise, Leaping Pluto

Chloe Wise, Leaping Pluto, 2018, Ink on paper, 24″ x 18″

Chloe Wise, Malik but French

Chloe Wise, Malik but French, 2018, Ink on paper, , 23 14/16″ x 17 15/16″

Personne RessourceDecember 5, 20192019, Mike Bayne

Art Toronto

2019 I ART TORONTO
Oct 25 - 27

METRO TORONTO CONVENTION CENTRE
North Building
255 Front Street West, Toronto

Booth C17
Nicolas Baier, Mike Bayne, Tammi Campbell, Patrick Coutu, Michel de Broin, Myriam Dion, Dumontier & Farber, Karel Funk, Simon Hughes, Sarah Anne Johnson, Wanda Koop, An Te Liu, Scott McFarland, Alex McLeod, Caroline Monnet, Julie Roch-Cuerrier

Nicolas Baier, Sans titre, 2019, Ed. 1/3, LED Light Box, 42” x 69”

Michael Dumontier & Neil Farber, Flowers (She's right there...), 2019, Acrylic on cradled wooden panel, 14” x 11”

Julie Roch-Cuerrier, L'expérience vécue du temps (feuille 5), 2019, Bronze and verdigris, 5 ¼” x 2 ¾” x ⅜”

Mike Bayne, Echlin Insurance, 2019, Oil on wood panel, 16” x 24”

Scott McFarland, On the Terrace Garden, Joe and Rosalee Segal with Cosmos altrosanguineus, 2004, Ed. 7/7, Digital chromogenic print, 40” x 48”

Michel de Broin, Twilight #97, 2019, Light bulb, wood, acrylic, 24” x 36” x 5 ½”

Wanda Koop, (Untitled), 2019, Acrylic on canvas, 60” x 48”

Sarah Anne Johnson, Ash(dots1), 2019, Ed. 1/3, Inkjet and photo spotting ink, 60” x 40”

Myriam Dion, Amazon rainforest - Flame's Ruines, The Wall Street Journal, Tuesday August 27, 2019, Collage of newspaper and japanese paper cut with an x-acto, gold leaf, 31 ⅜” x 31 ⅜”

Simon Hughes, Elephant Stone, 2019, Acrylic and collage on linen over panel, 40”

Caroline Monnet, Regalia, 2019, Embroidery on Tyvek, 48” x 36 ¾”

Mario Doucette, Les Acadiens de la Nouvelle-Écosse (régime anglais), 2017, Ink and colour pencil on paper, 10 ⅝” x 15 ⅝”, Unframed

Alex McLeod, Rosebush 3, 2019, C-print, 48” x 48”

An Te Liu, I'll Be Your Mirror, 2018, Unique work in a series of 4 (III), Bronze, 15 ⅛” x 10 ⅛” x 23 ⅝”

Personne RessourceOctober 25, 20192019, Mike Bayne

Expo Chicago

2019 I EXPO CHICAGO
Sep 19 - 22

CHICAGO NAVY PIER
600 E Grand Ave, Chicago, IL 60611, USA

Booth 400
Simon Hughes
Wanda Koop
Maskull Lasserre
Scott McFarland
Caroline Monnet
David Spriggs
Tammi Campbell

Simon Hughes, Gold Studio #1

Simon Hughes, Gold Studio #1, 2019, Watercolour and mixed media on paper, 57″ x 37″ each panel, 4 Pannels

Wanda Koop, In Absentia (Cerulean Blue - Luminous Yellow)

Wanda Koop, In Absentia (Cerulean Blue - Luminous Yellow), 2016, Acrylic on canvas on stretcher, 72″ x 48″

Wanda Koop, In Absentia (Luminous Yellow)

Wanda Koop, In Absentia (Luminous Yellow), 2019, Acrylic on canvas, 108″ x 84″

Wanda Koop, Leaving Port Cartier

Wanda Koop, Leaving Port Cartier, 2013, Acrylic on canvas, 30″ x 40″

Wanda Koop, Magic Hour - Pink

Wanda Koop, Magic Hour - Pink, 2008, Acrylic on canvas, 30″ x 40″

Wanda Koop, Untitled (Green Zone series), 2006

Wanda Koop, Untitled (Green Zone series), 2006, Acrylic on canvas, 30″ x 40″

Wanda Koop, Untitled (Green Zone series), 2007

Wanda Koop, Untitled (Green Zone series), 2007, Acrylic on canvas, 30″ x 40″

Wanda Koop, Untitled (Green Zone series), 2013

Wanda Koop, Untitled (Green Zone series), 2013, Acrylic on canvas, 30″ x 40″

Wanda Koop, Untitled (No News series)

Wanda Koop, Untitled (No News series), 2008, Acrylic on canvas, 30″ x 40″

Wanda Koop, Untitled (Seeway series)

Wanda Koop, Untitled (Seeway series), 2013, Acrylic on canvas, 30″ x 40″

Maskull Lasserre, The Antebellum Orchestra Project : Antebellum Trumpet

Maskull Lasserre, The Antebellum Orchestra Project : Antebellum Trumpet, 2019, Trumpet, micrometer sight, bayonet, custom stock and box, potential sound/action, 10″ x 40″ x 5″

Maskull Lasserre, The Antebellum Orchestra Project : Carbine Flute

Maskull Lasserre, The Antebellum Orchestra Project : Carbine Flute, 2019, Flute, sight, prism, sling, bayonet, paint, case, potential sound/action, 6″ x 16″ x 40″

Maskull Lasserre, The Antebellum Orchestra Project : Cavalry Violin

Maskull Lasserre, The Antebellum Orchestra Project : Cavalry Violin, 2019, Violin, scope, laser sight, sling, bayonet, case, potential sound/action, 6″ x 16″ x 40″

Maskull Lasserre, The Antebellum Orchestra Project : Long Range Clarinet

Maskull Lasserre, The Antebellum Orchestra Project : Long Range Clarinet, 2019, Clarinet, scope, bipod, laser sight, sling, case, potential sound/action, 6″ x 16″ x 40″

Maskull Lasserre, The Antebellum Orchestra Project : Long Range Clarinet

Maskull Lasserre, The Antebellum Orchestra Project : SWAT Trumpet, 2019, Trumpet, mute, custom stock, scope, laser sight, sling, case, potential sound/action, 6″ x 16″ x 40″

Maskull Lasserre, The Antebellum Orchestra Project : Tac Mandolin

Maskull Lasserre, The Antebellum Orchestra Project : Tac Mandolin, 2019, Mandolin, scope, laser sight, bayonet, sling, case, potential sound/action, 6″ x 16″ x 40″

Maskull Lasserre, The Memory Palace

Maskull Lasserre, The Memory Palace, 2018, Steel, paint, nano-silk, hardware, wood, grease, pressure, 33″ x 46″ x 46″

Scott McFarland, Main Street Optics, Main Street, Southhampton, New York

Scott McFarland, Main Street Optics, Main Street, Southhampton, New York, 2012, Ed. 5/5, Inkjet print, 37 ¾″ x 70 ½″

Scott McFarland, On the Terrace Garden, Joe and Rosalee Segal with Cosmos altrosanguineus

Scott McFarland, On the Terrace Garden, Joe and Rosalee Segal with Cosmos altrosanguineus, 2004, Ed. 7/7, Digital chromogenic print, 40″ x 48″

Scott McFarland, Reverse Horse, Victoria Moes Practices with Oscar

Scott McFarland, Reverse Horse, Victoria Moes Practices with Oscar, 2004, Ed. 7/7, Digital chromogenic print, 40″ x 48″

Scott McFarland, Staff Meal, Galatoires, Bourbon Street, New Orleans (b&W)

Scott McFarland, Staff Meal, Galatoires, Bourbon Street, New Orleans (b&W), 2013, Ed. 4/5, Inkjet print, 40 ⅛″ x 55 ⅛″

Scott McFarland, Trapping, Ernesto Gacutan Positions against Fauna

Scott McFarland, Trapping, Ernesto Gacutan Positions against Fauna, 2003, Ed. 7/7, Digital chromogenic print, 40″ x 48″

Caroline Monnet, Energy Shield

Caroline Monnet, Energy Shield, 2019, Foam, Chip Plywood, Plexiglass, 45″ x 45″ x 4″

Caroline Monnet, Insonor 02

Caroline Monnet, Insonor 02, 2019, Print on Sonopan, 48″ x 42″

Caroline Monnet, Thermal Glaze

Caroline Monnet, Thermal Glaze, 2019, Durospan, Plexiglass, 45″ x 45″ x 2″

David Spriggs, Transparency Report - Profil C - Camera Bag

David Spriggs, Transparency Report - Profil C - Camera Bag, 2014, Engraved sheets of tempered glass under plexiglass, 31 ⅞″ x 59 ¾″ x 11″

David Spriggs, Vision Series

David Spriggs, Vision Series, 2019, Acrylic on layered plexiglass, 33″ x 32″ x 8″

Personne RessourceSeptember 19, 20192019

6e édition de la Foire en art actuel de Québec

2019 I FOIRE EN ART ACTUEL DE QUÉBEC, 8 Edition
May 30 - Jun 2

CHAPELLE DES JÉSUITES
20 Dauphine St., Quebec QC G1R 3W8

Caroline Monnet

Caroline Monnet, Insular 04

Caroline Monnet, Insular 04, 2019, Engraving on styrofoam and Plexiglass, 27 ½” x 27 ½” x 3 ½”, Dimensions avec plexi

Caroline Monnet, Insular 03

Caroline Monnet, Insular 03, 2019, Engraving on styrofoam and Plexiglass, 27 ½” x 27 ½” x 3 ½”, Dimensions avec plexi

Caroline Monnet, Insular 02

Caroline Monnet, Insular 02, 2019, Engraving on styrofoam and Plexiglass, 48” x 48” x 3 ½”, Dimensions avec plexi

Caroline Monnet, Lot #VII - Front de la Rivière Désert

Caroline Monnet, Lot #VII - Front de la Rivière Désert, 2018, Wood-burned engraving, 48” x 48”

Caroline Monnet, Lot #II - Front de la Rivière Désert

Caroline Monnet, Lot #II - Front de la Rivière Désert, 2018, Wood-burned engraving, 24” x 36”

Personne RessourceMay 28, 20192019, Caroline Monnet

Foire Papier

2019 I FOIRE PAPIER
Apr 25 - 28

OLD PORT OF MONTREAL - ALEXANDRA PIER
200 de la Commune W. St.,
Montreal QC H2Y 2B2

Booth B05
Nicolas Baier
Michel de Broin
Tammi Campbell
Patrick Coutu
Myriam Dion
Michael Dumontier & Neil Farber
Simon Hughes
Sarah Anne Johnson
Caroline Monnet
Wanda Koop

Nicolas Baier, Antérieur

Nicolas Baier, Antérieur, 2018, Edition of 3, Photochrome print, 42” x 62”

Nicolas Baier, Constellation (or) 57Mu Eri

Nicolas Baier, Constellation (or) 57Mu Eri, 2019, Polylactic acid, golden paint, 24” x 39”

Michel de Broin, Universal Plug and Play

Michel de Broin, Universal Plug and Play, 2018, Polymer, fiberglass, epoxy, nylon fibre, plated steel base, 17 ¼” x 15 ⅝” x 22”

Michel de Broin, Twilight #240

Michel de Broin, Twilight #240, 2018, Light bulb, wood, acrylic, 47 ⅛” x 47 ⅛” x 5 ¼”

Tammi Campbell, Homage to the square with bubblewrap and packing tape

Tammi Campbell, Homage to the square with bubblewrap and packing tape, 2019, Acrylic on masonite with metal frame, 25” x 25”

Tammi Campbell, Homage to the square with bubblewrap and packing tape

Tammi Campbell, Homage to the square with bubblewrap and packing tape, 2019, Acrylic on masonite with metal frame, 25” x 25”

Patrick Coutu, Flux II (Boogie Woogie)

Patrick Coutu, Flux II (Boogie Woogie), 2018, Enamels and acrylic on paper, 50” x 39 ¼”

Patrick Coutu, Cristalmath #4, 2 (2,5,7)

Patrick Coutu, Cristalmath #4, 2 (2,5,7), 2018, Bronze, 5” x 4” x 24 ¾”

Myriam Dion, The Daltons : Pursuit of Train Robbers, The Evening Post, New York, 1892

Myriam Dion, The Daltons : Pursuit of Train Robbers, The Evening Post, New York, 1892, 2019, Newspaper cut with x-acto knife, Japanese paper collage, gold-leafing and Nationale sheet, 33” x 21 ¾”

Myriam Dion, Fin de la guerre devant la porte de l'édifice de La Presse, Montréal, 7 mai 1945

Myriam Dion, Fin de la guerre devant la porte de l'édifice de La Presse, Montréal, 7 mai 1945, 2019, Newspaper cut with x-acto knife, Japanese paper, gold-leafing and copper leafing, 8 ⅝” x 8 ⅝”

Myriam Dion, Great Masterpiece Has Disappeared : Da Vinci's "Mona Lisa" Stolen From Art Gallery, El Paso Morning Times, Texas, 1911

Myriam Dion, Great Masterpiece Has Disappeared : Da Vinci's "Mona Lisa" Stolen From Art Gallery, El Paso Morning Times, Texas, 1911, 2019, Papier journal coupé au couteau x-acto, collage de papier japonais, feuille d'or et feuille de cuivre / Newspaper cut with x-acto knife, 35” x 23 ⅛”