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Simon Hughes, My Corona, 2020 -
Myriam Dion, Notre-Dame en feu, 16 avril 2019, 2020
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Chloe Wise, Olive Malik, 2020
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Yann Pocreau, Outremers, 2020
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Pierre Dorion, Panthéon (E. Delaunay), 2020
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Corri-Lynn Tetz, Piano, 2020
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Nicolas Baier, Player One, 2020
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Yann Pocreau, Rapprochements (la main), 2020
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Karine Fréchette, Reflecting Pool 1 / Réflexion spéculaire (crépuscule), 2020
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Karine Fréchette, Reflecting Pool 2, 2020
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Karine Fréchette, Reflecting Pool 3, 2020
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Marie-Claire Blais, S'exposer au mouvement de l'air 2, 2020
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Daniel Langevin, SAGA (AG), 2020
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Daniel Langevin, SAGA (TB), 2020
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Daniel Langevin, Saga (VM01), 2020
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François Lacasse, Secrets floraux XXIII, 2020
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Karine Fréchette, Shadow Recorder 5.2 / Séquence d'Ombres 5.2, 2020
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Scott McFarland, The long way home, 2020
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Mathieu Grenier, The Monitors #1, 2020
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Mathieu Grenier, The Monitors #4, 2020
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Patrick Coutu, Traction, 2020
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Matthew Feyld, Untitled, 2019-2020
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Matthew Feyld, Untitled, 2019-2020
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Matthew Feyld, Untitled (forty inch square divided into five equal parts, arranged as a horizontal line), 2019-2020
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Matthew Feyld, Untitled (sixteen inch square divided into four equal parts, arranged as a horizontal line), 2019-2020
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Matthew Feyld, Untitled (twenty-four inch square divided into four equal parts, arranged as a vertical line), 2019-2020
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Sarah Anne Johnson, Ash(dots1), 2019
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Nadia Myre, Boundaries Ed. 6/6, 2019
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Wanda Koop, BREAKING NEWS (High Noon), 2019
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Mike Bayne, Change, 2019
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Manon De Pauw, Concordance, 2019
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Nicolas Lachance, derrick, 2019
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Geneviève Cadieux, Firmament, 2019
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Myriam Dion, Great Masterpiece Has Disappeared : Da Vinci's "Mona Lisa" Stolen From Art Gallery, El Paso Morning Times, Texas, 1911, 2019
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Nicolas Lachance, Infusion, 2019
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Marie-Claire Blais, Interruption accidentelle 2, 2019
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Nicolas Lachance, L'infaillibilite du signe (Le joueur), 2019
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Yann Pocreau, Lumière noire, 2019
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Francine Savard, Marthe Wéry. Peinture Montréal 84. Pages 40-41. 200%, 2019
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Francine Savard, Marthe Wéry. Peinture Montréal 84. Répertoire des pages de gauche et Répertoire des pages de droite, 2019
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Pierre Dorion, Paroi (C.D.) II, 2019
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François Lacasse, Pétales fuyants XIV, 2019
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Jean-François Bouchard, Plane Wreck, 2019
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Nicolas Lachance, Plex.A, 2019
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Nicolas Lachance, Plex.B, 2019
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Nicolas Lachance, Plex.C, 2019
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Nicolas Lachance, Plex.D, 2019
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Nicolas Lachance, Plex.E, 2019
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Patrick Coutu, Récif, Extrait 1.2, 2019
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Patrick Coutu, Récif, Extrait 4.1, 2019
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Patrick Coutu, Récif, Extrait 4.2, 2019
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Patrick Coutu, Roche-mère, 2019
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Pierre Dorion, Saint-Roch II, 2019
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Karine Fréchette, Sillage 6 (Le tableau de Leipzig), 2019
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Karine Fréchette, Sillages 2 (Étirement), 2019
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Karine Fréchette, Sillages 7 / Wakes 7, 2019
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Patrick Coutu, Source III, 2019
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Mathieu Grenier, Surfaces #1, 2019
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Mathieu Grenier, Surfaces #2, 2019
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Mathieu Grenier, Surfaces #4, 2019
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Karel Funk, Untitled #93, 2019
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Karel Funk, Untitled #94, 2019
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Scott McFarland, View of Tennis Club, Sans Souci, Georgian Bay, 2017 (Variation 2/3), 2019
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Serena Beaulieu, H, 2018-2019
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Simon Hughes, Satellite of Love, 2018-2019
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Serena Beaulieu, +-, 2018
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Michel de Broin, Anomalie III / Anomaly III, 2018
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Sarah Anne Johnson, Apocalypse #2, 2018
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Sarah Anne Johnson, Apocalypse #3, 2018
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Sarah Anne Johnson, Apocalypse #5, 2018
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Nicolas Lachance, Arylide (blanc), 2018
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An Te Liu, Autosuggestion, 2018
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Nadia Myre, Beaded Net (after Goree Island), 2018
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Mathieu Latulippe, Bensolem Consortium, 2018
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Mathieu Latulippe, Biosphère 3 #2, 2018
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Nicolas Lachance, Carbazole (blanc), 2018
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Michel de Broin, Crépuscule #251, 2018
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Karine Fréchette, Croissance 1, 2018
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Karine Fréchette, Croissance 3, 2018
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Karine Fréchette, Croissance 5, 2018
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